Thunderbolt, USB, HDX and MADI audio interfaces offering the biggest number of I/O’s available on the market, Goliath is the result of Antelope’s 20+ years of experience in digital audio, innovative clocking technologies and analog circuit design. Connectable via blazing-fast Thunderbolt, USB & 2 x MADI, Goliath houses a total of 36 analog ins and 32 analog outs, providing digital clarity and analog realism like no other audio interface out there. Antelope’s most powerful audio interface comes with an array of hardware-based audio effects, among which vintage guitar amps & cabs, AuraVerb reverb, legendary EQ and compressor emulations, plus our world-renowned Acoustically Focused Clocking technology. At Antelope Audio we love to say that best clock = best sound. So, no surprise that our 4th generation of Acoustically Focused Clocking jitter management algorithms (AFC) is in charge of Goliath’s flawless clocking. The audio interface features the oven-controlled crystal oscillator you know from Antelope’s signature crystal-based master clocks. For optimum detail and sound stage, Goliath can be additionally synced to the extremely accurate Rubidium Atomic Clock – 10MX, and it can also be used as a master clock for two other devices via Word Clock Outs on BNC. Antelope’s new RealModel technology recreate not only the true sound of classic analog gear but its behavior and feel as well. Stacks of effects can be combined in custom FX Chains and saved as Presets. All our guitar amp and cabs simulations were developed in a partnership with leaders in guitar software Overloud Audio Tools, so we know guitar players will just love Goliath. Goliath offers 36 Analog Inputs and 32 Analog Outputs with pristine AD/DA converters. These include 4 superb Instrument DI’s, 2 transformer Reamp Outs, 2 Headphone Outs with integrated Talkback on the front, 16-Channels of Class-A Mic Preamps, 2 sets of Stereo Inserts and a pair of mastering grade Monitor Outs on the back. The DB25 connectors feature 24 Outputs (1-8 can be level controlled for Surround Sound Mixing) and 16 additional Line Inputs, making Goliath an attractive solution for Hardware Inserts and Summing. Even more Analog I/O Channels can be added by connecting Antelope’s Orion32 or Orion32+ via MADI for a total of 64 Channels of Analog I/O simultaneously. Specifications: Analog Inputs: 16 x Line inputs on two D-SUB 25, +20 dBu max, 11. 2 kOhms, 16 x Mic / Line universal inputs on XLR combos on the rear (first 4 can be used for instruments also), 4 x Instrument (HiZ) inputs on TRS 1/4 jacks on front; Analog Inserts: 2 x Inserts on TRS 1/4 jacks (dedicated to rear universal inputs 1, 2); Analog Outputs: 24 x Line outs on three D-SUB 25, +20dBu, 56 Ohms; 1 x Monitor out on 2x TRS 1/4 jacks; 2 x Stereo Headphone outs on TRS; 2 x ReAmp outs on TRS; D/A Monitor Converter: Dynamic Range: 127 dB, THD + N: -108 dB; D/A Converter: Dynamic Range: 120 dB, THD + N: -107 dB; A/D Converter: Dynamic Range: 120 dB, THD + N: -110 dB; Mic Preamp: Gain: 0, 10 – 65 dB, THD + N: -108 dB; Digital Inputs: 2 x Fiber Optic MADI (up to 64CH each), 2 x ADAT (up to 16CH), 8 x AES/EBU on D-SUB 25 (16CH) 1 x S/PDIF; Digital Outputs: 2 x Fiber Optic MADI (up to 64CH each), 2 x ADAT (up to 16CH), 8 x AES/EBU on D-SUB 25 (16CH), 1 x S/PDIF; USB 2. 0 Hi-Speed; Data stream up to 480 Mbits/192kHz, 32 channels I/O, Type B; 1 x Thunderbolt, 64 channels I/O; Word Clock Input: 1 x Input @ 75 Ohms 3Vpp on BNC 32 – 192kHz; Word Clock Outputs: 2 x Outputs @ 75 Ohms 3Vpp on BNC 32 – 192kHz; Atomic Clock Input: 1 x 10M Input @ 75 Ohms 1Vpp on BNC; Clocking System: 4th Generation Acoustically Focused Clocking; 64-bit DDS; Oven Controlled Crystal Oscillator; Clocking Stability: <+/-0. 02 ppm, oven controlled at 64. 5°C/ 148. 1°F; Clock Aging: <1 ppm per year; Clock Calibration: <+/-0. 001 ppm; Sample Rates: 32, 44. 1, 48, 88. 2, 96, 176. 4, 192 (kHz); Operating Temperature: 0-50°C/32-122°F; Weight: 6. 8 kg/ 15 lbs (approx); Dimensions: 48 3 x 81 x 279 mm