Yamaha HS 5 MP Aktiivne kahesuunaline stuudiomonitor 2 tk

Yamaha HS 5 MP Matched Pair Studio Monitors — Reference Accuracy in a Compact Cabinet

The Yamaha HS 5 MP is a matched pair of 2-way bass-reflex bi-amplified nearfield studio monitors, each built around a 5" cone woofer and 1" dome tweeter that together cover a 54 Hz – 30 kHz frequency range. Designed as a special-edition follow-up to the standard HS5, the MP version is manufactured in pairs using specially selected parts and paired serial numbers, so the left and right cabinets behave as a single, tightly matched reference system. The HS 5 MP is the right choice for producers and engineers who need honest, uncolored monitoring on a small desk footprint.

What Sets the HS 5 MP Apart

Unlike a standard off-the-shelf HS5 pair, the HS 5 MP is built through a dedicated matching process at the Yamaha factory, with MP stickers affixed to the rear of each unit and serial numbers paired at the moment of manufacture. The cabinet itself uses a dense MDF construction with a traditional three-way mitered-joint technique borrowed from over a century of Yamaha piano design, anchoring the corners to suppress unwanted resonance. A noise-reduction technology applied to the bass-reflex port lowers audible port noise by up to 6 dB, keeping low-frequency transients clean in smaller rooms.

Drivers and Crossover — Honest Sonic Imaging

The two-way design splits the work between a newly developed 5" cone woofer with a carefully selected large magnet and a 1" dome tweeter housed in a thick wave guide that minimizes vibration. A 2 kHz crossover point hands off cleanly between the two drivers, giving the HS 5 MP a flat, uncolored response that reveals mix decisions rather than flattering them.

• Woofer: 5" cone — delivers low distortion with a well-defined bottom end at any listening level
• Tweeter: 1" dome — extends smooth, distortion-free high-frequency response up to 30 kHz
• Crossover Frequency: 2 kHz — keeps the handoff between drivers seamless and phase-coherent

Bi-Amplification and Power — Headroom for Real Sessions

Each cabinet runs a dedicated amplifier for the woofer and tweeter, so neither driver is ever starved of current during dense mixes or transient-heavy material. The total output of 70 W per speaker gives the HS 5 MP enough headroom to monitor at moderate to loud levels without compression artifacts creeping into the sound.

• Total Output Power: 70 W per speaker — split as 45 W to the LF driver and 25 W to the HF driver
• Frequency Range: 54 Hz – 30 kHz (-10 dB), with a 74 Hz – 24 kHz (-3 dB) response window
• Power Consumption: 45 W per unit during normal operation

Connectivity, EQ, and Room Adaptation

Inputs and acoustic tuning controls are designed for plug-and-play integration with any studio setup. The rear panel accepts both balanced and unbalanced sources, while two physical switches let the user compensate for boundary placement without external processing.

• Inputs: Balanced XLR3-31 and 6.3 mm TRS phone jack — accept mixers, audio interfaces, and balanced keyboard outputs
• EQ Controls: HIGH TRIM switch (+/- 2 dB at HF) and ROOM CONTROL switch (0/-2/-4 dB under 500 Hz) — adapt the response to wall placement and room acoustics
• LEVEL Control: +4 dB with center click — quick calibration to interface reference level

Who the Yamaha HS 5 MP Is Built For

The HS 5 MP is the right choice for project-studio producers, home recording musicians, podcast editors, and post-production specialists who need a compact nearfield monitor with reference-grade honesty. The matched-pair build makes it especially valuable for stereo mixing and mastering work, where even small left/right imbalances can shift phantom center images and stereo width. Producers working in bedrooms, small control rooms, or on tight desktop setups will appreciate the 170 mm wide footprint and 5.3 kg per-cabinet weight, while the ROOM CONTROL switch helps tame the bass buildup that occurs when monitors are placed close to a wall.

The HS Series Legacy — From the NS-10M to the Matched Pair

Yamaha's nearfield monitor story began in 1977 with the NS-10M, a speaker that became a studio standard worldwide, and continued through the MSP5 in 1998 and the original HS Series in 2005. The next-generation HS Series arrived in 2013, fusing decades of studio-monitor design with cutting-edge analysis technology, and in 2019, marking the 50th anniversary of Yamaha Pro Audio, the HS MP matched-pair models were introduced to bring an extra level of selection and quality control to the lineup. The HS 5 MP carries that lineage forward as a special-edition pair designed for engineers who treat monitoring as the foundation of every mix decision.