The WA-2FT Fen-tone is a set of two carefully matched ribbon microphones, inspired by an iconic vintage model from the 1950s, used by artists such as Jack White (The White Stripes), John Mayer (John Mayer Trio), and John Petrucci (Dream Theater). With a combination of rich sound, high SPL, and improved integration, this set is perfect for professional stereo recording of acoustic instruments, spatial sound, and ambient captures.

Technology and Sound Quality

The Fen-tone microphones feature a thin 1.8 µm aluminum ribbon (99.1% purity) and a powerful neodymium magnet, allowing for extraordinary sensitivity to capture even the finest nuances of instrument sounds. The CineMag USA transformer adds to the rich, musical sound character, making it ideal for electric guitars, overheads, and brass instruments. The frequency response of 30 Hz to 15 kHz ensures full bass, rich mids, and pleasantly “warm” highs without harsh sibilance. The natural mild roll-off above 15 kHz effectively eliminates unpleasant sibilance and harsh highs. The bi-directional (figure-eight) polar pattern enhances natural spatial perception and efficiently reduces side leakage.

Control Options and Integration

Each microphone is equipped with an optional Warm Lifter active preamp with a JFET circuit, providing an additional 26 dB of analog gain. With an impedance of 5 kOhms, it’s suitable for direct connection to standard audio interfaces and lower-end preamps, ensuring no loss of quality or volume. Turning off the circuit allows for passive operation. Thanks to its improved design and low noise, the WA-2FT is effective even at greater distances from the sound source, such as for drum overheads or room microphones. The microphones can be used independently or as part of a stereo pair.

Build and Connectivity

The WA-2FT microphones feature a compact pencil body made from anodized aluminum with side vents, contributing to faithful sound capture and a balanced frequency response. Each microphone is equipped with a standard XLR output and an eight-pattern polar characteristic, which simplifies stereo recording or capturing two sources opposite each other. With a maximum acoustic pressure level of up to 148 dB SPL, these microphones are also suitable for very loud sources, such as guitar amps, drums, brass instruments, and more. The design is made for versatile use—from close proximity to a guitar cabinet to ambient recordings in an acoustic space.

Additional Features and Special Characteristics

In addition to its sound quality, the Fen-tone is hand-inspected at the manufacturer’s headquarters in Austin, Texas, where each unit undergoes a detailed inspection. The microphones are precisely paired for ideal stereo recording without frequency or level discrepancies. The package includes a sturdy transport case, two microphone holders, and protective mic covers. This comprehensive kit ensures the microphones are ready for demanding studio and stage use straight out of the box.